University of South Dakota Altered Book Show: Bound & Unbound III

Today's post is all about altered books. I love making and seeing altered books. It's a way to recycle old books that no one reads anymore and it is amazing to see how many ways people can alter a book. I hope you check out the Bound & Unbound digital exhibit. Be prepared to be inspired.

Here are my two entries in the show.

-Gina


Alternative : Topographic carving in an old German book. The beach rock matches the marbled endpapers perfectly and adds some weight to the piece.


Stone Mountain, GA : Topographic carving of Stone Mountain, GA showing both positive and negative elevations. The sedimentary rock happened to be almost the same shape as the base of the mountian.

The Road to Spring

I made a new book this week using techniques learned in Jill Berry's class (Intimate Atlas) and from fellow origami enthusiast Kathy Linsley's variations on the Turkish Map Fold. I call it The Road to Spring. It is a story about my childhood family's trip every spring from New York to Birmingham, AL where we visited our maternal grandparents. We often drove from lingering winter into spring weather and I was always fascinated to watch the snow melt away and the flowers appear on the two day drive. I hope you like the structure I created and the pictures of my process.

-Gina

List of supplies:
Higgins Indigo ink- watered down
Tim Holtz Ranger dye inks: mown lawn, peacock feathers, broken glass, brushed corduroy, antique linen, and mustard seed
Tim Holtz Distress Markers in the same colors as above
Arches Text Wove paper- 5 x 25 1/4 inches


The Road to Spring by Gina Pisello

Dripping ink to make a quick road map.

Coloring the background with Distress Inks.

Cutting and folding the paper into 5 pages.

The next step in the Turkish Map Fold (the water bomb base).

Finally all 5 pages are folded into the standard Turkish Map Fold.

These 5 pages, also 5 x 5 inches, contain our route south as well as the story of our trip.

I folded these pages into a complimentary form that Kathy Linsley invented so that they nest inside of the Turkish Map fold. She modified the Turkish fold as well with an extra fold on the center seam.

The finished book from the top. It made this nice circular form when it was done.



Teaching the Pocket Book Structure

I recently taught my version of Hedi Kyle's Pocket Book structure to members of Puget Sound Book Arts and San Diego Book Arts. I designed this method of folding a pocket book after seeing a picture of Hedi Kyle's structure on Pinterest. Participants learned how to fold the structure from a long sheet of paper and then create a cover using cardstock weight paper. We had a great time in each class and I really enjoyed teaching this versatile book form.

Here are some pictures from the classes and a link here for my blog post showing step by step photographs of how to fold this structure so you can try it too. Enjoy!
-Gina


Pocket Book Sample


Students in my Puget Sound Book Arts class in April


Finished pocket book.






Pocket Book class with San Diego Book Arts students.

Tiny Book Necklaces

Tiny origami crane book measuring 1 x 3/4 inches. Folded from tracing paper colored with alcohol inks.



I started making book necklaces back in 2004 when I was working at a craft fair and wanted something to do during down time. I made hardcover, maze fold books like the one below and sold them at the fair. Later I made coordinating books and boxes to sell as well. 








I decided to make some new mini book necklaces to wear each day of FOBA.  I got to work last month and made the books shown below. They are each approximately 1 inch tall and 3/4 inch wide. The crane book at the top of this post is my favorite and the hardest one to make.  I got lots of positive comments on the necklaces at Focus on Book Arts and I hope you like them too.


Envelope fold pocket book with glassine covers.


Inside of this book showing pockets with handmade marble paper inside.



Hedi Kyle Blizzard fold book made from vintage map.



Map book open.









FOBA and Other Trips

I have not posted in a while and now I have a back log of posts to write. So... I will try to work backwards from the present and catch you up on what has been happening in my corner of the paper and book arts worlds.

First up is my trip to FOBA (Focus on Book Arts). I attended this wonderful event for the first time in late June and had a great experience. The conference was well organized, full of enthusiastic participants and overflowing with great teachers. I met so many book artists that I hope I will be able to stay in touch with. My class was taught by Jill Berry and you can see pictures below of the book we made. The class was called An Intimate Atlas and it was all that and more! Thanks Jill for a wonderful class.

While I was in Portland for FOBA there was also a talk by Hedi Kyle, a person I greatly admire and have never met before.  I did get to introduce myself to her briefly and thank her for all the inspiration she has provided over the years. I also attended the artists' reception at 23 Sandy Gallery and got to see all the lovely books up close. I met several of the other artists in the show and we bonded over our love of Hedi's structures. There was even a table of her (Hedi's) sample books at the show that we could touch and try to figure out. All in all it was a wonderful trip and an experience I will remember for many years.

Enjoy the pictures of my FOBA experience.

-Gina

An Intimate Atlas - book designed by Jill Berry and executed by me.

Page 1 "My Head"

Pages 3 and 4 shown folded into their turkish map fold shapes.

Pages 3-4 closed up and encased in their black paper gate fold binding.

The back of one map page showing the random lines we made using dripped walnut ink. Color was added with Twinkling H2O's and watercolor.


Hedi Kyle sample of a map accordion folded and fishbone folded at the same time! Amazing structure.


Hedi Kyle Map book closed showing her belt fold closure. You can find directions for this closure in Preservation Enclosures by Hedi Kyle


Me with my book Lost River at 23 Sandy Gallery.

News

I want to share some good news along with some links today. As you know if you follow this blog, I was juried into the Hello Hedi show at 23 Sandy Gallery in Portland, OR. The show opened yesterday and I am excited to share the online catalog with you here. I will be attending the artists' reception on Friday June 26 and hope to meet Hedi Kyle, who will be attending. I am also in Portland that week attending the Focus on Book Arts Conference and taking Jill Berry's class An Intimate Atlas. I can't wait for both of these events and when I am back home I will be sure to blog about the experiences. If any of you are attending either event I hope to see you there.

The other thing I want to mention is that I will be teaching a two hour workshop next weekend. I will show students how to fold Hedi Kyle's Pocket Book. It is similar to her Blizzard Fold book, but creates an expandable structure that can hold bulky items. Here is a link to my blog showing how to fold the structure. I also taught this class at Puget Sound Book Arts in April and it went very well. I hope my students will be inspired to use the structure to create their own artist books.

Pocket Book for mini workshop


Here are the books I have in the Hello Hedi show. One has already sold which I am very happy about. Enjoy.

-Gina


Three Fold Night (sold)


Lost River


All About ATC's

Today's topic is ATC's or Artist's Trading Cards. ATC's are 3.5 x 2.5 inch cards that artists create with any type of media they like. ATC's can be painted, rubber stamped, covered in collage, mixed media, etc. If it will fit on a 3.5 by 2.5 inch piece of paper then it works. There are groups that meet and trade, there are online trading sites or you can simply trade with your friends. The only catch is that these cards have to be traded, not sold. I have been making them for a few years off and on, but recently I have been making lots of them. I try to make sets of 9 as my album has page protectors with 9 slots. Here are some examples of the ATC's I have created recently. Enjoy and if you want to trade, let me know.

-Gina


"Cameo" set of 4


"Back of Fashion" set of 5


"Advice" set of 4


"Water Nymphs" set of 9


"Beaded Fragments" set of 9


"Beaded Fragments" detail. I made the Greek statue fragment with collaged papers that I tore into the body shape. I then applied glue and clear micro beads to give it some sparkle. I stamped the background with "Greeking" text and Tim Holtz Brushed Corduroy and Antique Linen and used the inks on the edges too.


Detail of "Water Nymphs" using Tim Holtz Brushed Corduroy and Antique Linen again with his marble paper stamp. The image was stamped on a glossy photograph of my family in blue rain ponchos that we wore on the Maid of the Mist in Niagara Falls.

Book Recommendations Take 2

Today I would like to add some books to my recommended list. I keep a well stocked bookcase in my studio. Some are old dictionaries and vintage books that I use in art. Some are how-to books and some are yummy books full of pictures of artist's books. There is quite a variety and when I am stuck for a new project I love to peruse these them for inspiration. My suggested readings for this post are:

1. The Book as Art: Artists' Books from the National Museum of Women in the Arts by Krystyna Wasserman is a feast for the eyes and mind. It is full of wonderful books created by women. It is organized by broad categories like Food and the Body or Travelers and showcases beautiful photographs of each work as well as a description by the artist.

2. 1000 Artists' Books: Exploring the Book as Art by Sandra Salamony with Peter & Donna Thomas is also broadly categorized into sections based on structure and is mainly visual in its presentation of artists' books. There are some very cleaver creations in this book and some that challenge the concept of what it means to be an artist's book.

3. The Penland Book of Handmade Books by Lark Books is both a showcase of amazing artists' books as well as a tutorial on making books. Each section includes an artist, a hands-on tutorial of their work and examples of what other people have made using their techniques as a jumping off point. It is a book I return to again and again for inspiration and instruction.

I hope that you will check out these books (perhaps from your local Library or bookstore) and spend some time immersed in the world of book arts. It is a rewarding journey, even if you aren't a book artist.

-Gina


This wing book I made was inspired by Brenda Watson's Comment attirer les oiseaux? (How to attract birds) on page 54 of The Book as Art.


These simple painted landscapes were inspired by Julie Baugnet books on page 76 of 1000 Artists' Books.


This Hedi Kyle Blizzard book and folded cover are detailed in The Penland Book of Handmade Books. My version has the blizzard pages folded slightly differently so that they pop up to make boxes.


Mixed Media Book Covers

Today's post is a blast from my past. I was recently visiting my mom and she showed me a set of collaged vintage book covers I made her several years ago. I had forgotten about them, but was inspired to make myself a set. Mine are wrapped in a packet and contain poems about birds. Please see pictures below for materials and the finished project that was inspired by an article from Somerset Studio called Poetic Packet Collages.

This post is also inspired by Mixed Media World challenge #3. I used vintage book covers, stamps, maps, and images from old dress patterns to make the covers. Enjoy, I'm off to the studio to make more!

-Gina


Finished Packet


Contents of the packet; front and back covers with collage elements and poems on tracing paper.


Component 1: Vintage dress pattern images.


Component 2: Vintage book covers.


Component 3: Maps, marbled paper, etc.


Component 4: Vintage stamps and samples of marbled paper.


Component 5:Tracing paper with topographic lines in pencil to add depth to the packet wrapper.

Bound and Kyled...

I am very happy to report that I have two books juried into each of the shows I submitted to last month. Bound and Unbound III at the University of South Dakota accepted Stone Mountain, GA and Alternatives for their altered book arts show beginning in August. Hello Hedi at 23 Sandy Gallery accepted Lost River and Three Fold Night my Hedi Kyle inspired creations. Puget Sound Book Arts accepted Tine Language and Small Migrations. I feel like I am floating on a cloud right now and I want to share my good fortune with you all.

Here are pictures of each book. Enjoy and please leave comments if you wish.

-Gina


Stone Mountain, GA


Alternative


Lost River


Three Fold Night


Tine Language


Small Migrations

Mixed Media Mini Book

Welcome to Wednesday post #16. Today's post serves two functions: first is for a mixed media contest at Mixed Media World;  second, is to share how I made this mixed media book as a sample for an upcoming workshop at Puget Sound Book Arts. We will be making Hedi Kyle's Pocket Book (step by step instructions are here), but I want to show some examples of other kinds of books that are bound using accordion folds. When I started this book I had a spine (another Hedi Kyle invention, the Crown Binding), but no content. I found a strip of paper that I painted a while ago and decided to stencil over the background with a Paris map by Artistcellar. I also made stencils of brown pelicans I photographed at the beach. I printed them out in black and white, cut out the silhouettes and used black ink to stencil them. On two pages I used writing in vertical and horizontal directions repeating a series of paired words.  I like the way the text becomes image when done this way. I folded the long strip of decorated paper into an accordion and inserted it into the Crown Binding spine. Finally, I dug through my folder of marble papers and found a pattern and colors that compliment the interior of the book and used it for the covers. I hope you enjoy the results.



Painted and stenciled page.


Paint and stencil background with writing in two directions. Note the white triangles at the top and bottom of the page. These are tabs that hold the pages together and bind the book.


My handmade marble paper in the Peacock design.



Books are hard to photograph, but here you can see the folded spine as well as glimpses of each page.


Pelican stencils I made from photographs.

How to Make a Tunnel Book

I have tried several times over the years to make tunnel books. They are wonderful, interactive structures that are visually appealing as well. I have not been very successful in my endeavors as my "pages" tend to warp and bend. Last month at a 

San Diego Book Arts Salon

 I met a woman who makes beautiful tunnel books and she was working on one invented by 

Ed Hutchins

. She downloaded the directions 

here

 and I came home and did the same. Fast forward to yesterday when I finally had the time to make a tunnel book myself. Below are pictures of the results. This version of the structure has lightweight side hinges and doubled pages. In other words, no more warping!

I used a roll of craft paper for the base structure and it worked beautifully. I used three pages from an old calendar to get the images, but you can use anything, or just draw your own images. I hope you will be inspired to try this project.

-Gina

1. Choose images.

2. Cut and fold craft paper (8" x 30") and lay out images.

3. Cut holes in pages so you can see through the tunnel.

4. Pasted first image and cut in an oval around elements you want to keep.

5. Paste down the other images and glue side tabs together.

Finished tunnel book with 4 layers of images.

Top view of tunnel book.

Side view of book with hinges showing.

How To Make Artist's Books: Book Recommendations

My friend Nancy suggested that I do an occasional book recommendation for book artists, origami enthusiasts and paper crafters. Since I was a blogger in need of a post it seemed like a good fit. So here is my first list of books on book arts. These are ones that I return to time and again for structure and content ideas. You can get them at your favorite online bookstore. I hope you find some inspiration or a new treasure here.

My top three recommendations are:

1. Creating Handmade Books by Alisa Golden has clear, concise text and illustrations for making everything from simple one-page structures all the way up to multi-signature sewn structures.

2. Making and Keeping Creative Journals by Suzanne J. E. Tourtillott is a feast for journal lovers. She offers innovative structures to match topics such as gardening, birding and art journaling.

3. Sleight of Binding by Cherryl Moote offers playful structures to lift your books into the third dimension. You will find kinetic and interactive designs in shapes and colors that wake up your creative mind.

Here are some pictures of my work using these books for instruction and inspiration.


 Book/card with tunnel from Creating Handmade Books. (2014)





Jacob's Ladder book (front and back) and content from Creating Handmade Books. (2004)



Jacob's Ladder "Flight" book from Creating Handmade Books. (2009)




Journal with different color and size pages from Making and Keeping Creative Journals.


Inside of journal showing content. (2003)



Dos-a-Dos book from Making and Keeping Creative Journals.



Inside the Dos-a-Dos book. (2003)



 Glove book inspired by one in Making and Keeping Creative Journals. (2007)




Gallery Book from Sleight of Binding. I modified Cherryl's structure by leaving the paper on the front of the "windows" and using it to fold the cranes. (2012)



Cherrly's book Sleight of Binding has many kinds of flexigon structures. Here are three that I made using Graphic 45 papers. (2014)


Origami and Kumi Korf workshops

I have been very busy the last two weekends making paper art. First, the

San Diego Origami Club

met and we learned to make this wonderful box structure. Last weekend I participated in two

Kumi Korf

workshops. The first workshop was a whirlwind of 5 book/box structures. The second was a kinetic book structure that is housed in a lovely box. I am still finishing up the second workshop projects, but it was a wonderful weekend and my head is now swimming with ideas. Below are some pictures of what I made as well as the diagram I created for the origami box structure. I hope you enjoy.

-Gina

Origami Box

Instructions for the folded box

Kumi Korf Workshop book

Another Kumi Korf workshop structure.

The outside of this structure.

"Hole in My Heart" structure. I still need to cover the top and bottom sections with decorative paper.

Configuration 1 of the above structure. Slots will house small books.

Configuration 2 of the above structure. I can't wait to finish.

I would like to thank Kumi for sharing her talents, humor and amazing structures with the participants of this

San Diego Book Arts

workshop.

Modified Blizzard Fold Pinwheel Structure

I would like to share a model today that I invented based on

Hedi Kyle's Blizzard Fold

book (instructions are given in the Penland Book of Handmade Books). I was playing around with the folds and wondered what would happen if I folded every other triangle fold back instead of forward as you do in her model. The result was 4 little niches with roofs and floors. I then manipulated this linear structure and realized that if I turned it in on itself I could create a pinwheel design and a book in the round. Below are step by step pictures with descriptions for how to fold this structure. I hope you will try it and come up with interesting uses for this wonderful design. Thanks for stopping by.

-Gina

 Step 1: Start by folding a piece of paper measuring 6 x 24 inches into 16 equal parts (ie. accordion fold the length of the paper). Then with the accordion folded up, fold down the top and bottom corners to form triangles like you see in the picture above.

Step 2: Repeat the triangle fold for each mountain fold (page) of the structure.

Step 3: Here is where my model diverges from Hedi Kyle's. Unfold all of the triangle folds made above and reverse fold the first one on the mountain fold as shown above.

Step 4: Unfold the next mountain fold, making it a valley fold and fold the triangles toward you. Your model should look like the picture above.

Step 5: Keep the next mountain fold and fold the triangles to the back of the structure. Repeat this process, first folding the triangles towards you then unfolding the next mountain fold and folding the triangles to the back until you reach the end of the paper.

Step 6: Your model should look like the picture above. The one below gives a different angle showing the triangle folds going back and forth.

Step 7: Close up the model along the valley folds and mountain folds. Notice that the structure is now twice as wide. That is because we opened up every other mountain fold in the previous steps.

Step 8: Now we return to the Blizzard Fold and starting with the first page fold the triangle sections into the middle of the pages. 

Step 9: The next set of triangles is on the back side of the model. Fold them in as shown above.

Step 10: Continue folding in the triangles at the back and front of the accordion folds, tucking in and folding along existing lines. Use the pictures to help you get your model working.

This picture shows the triangle flaps being folded in on the second page.

Here is the model with the first and second pages and their triangles folded in. Note how the rest of the model looks at this stage.

The third set of triangles are now folded up.

Here is the other side of the model at this stage.

The forth set of triangles are now folded up and the folding is complete.

This is the model from the other side. At this point you can use the model as a linear structure. It has these 4 niches on one side and 3 on the other. Or you can proceed and get the pinwheel pictured below.

Step 11: If you want to turn the model into a self closing pinwheel structure make sure the model has the side with 4 niches facing you. Grab the first and last page and pull them towards each other, but away from you and the niches will open out to form the structure you see above and below. 

Step 12: To get the model to stay in this open position, take the triangle tabs from the last page and fold them over the triangle tabs on the first page (shown in the picture above on the left).

Here I have turned the model into an artist's book using paper threads to represent waves. 

Glove Books

I thought I would share some of my other glove books. Yes, I have made more than one glove book in my career. I love collecting vintage gloves and some of them just want to become book covers while others want to

be

the book. I hope you like the selection.

Clasped Hands

is a book made entirely of gloves.

A is for Other, an ASL ABC

was juried into the

San Diego Book Arts National Juried Show

in 2010. It also won entry into the

Cannon Art Gallery

2011 Juried Biennial.

Woven pages of Graphic 45 paper adorn these lovely pink gloves.

These long gloves were perfect for a wedding guest book.

Somerset Weddings Magazine

agreed and showed this book in their 2007 edition.

Three glove books I made for a Graphic 45 Design Team tryout in 2014.

Grecian Fragments

was juried into the

Athenaeum's

6th Juried Artist's Book Biennial.

Inside

Grecian Fragments

, a poem about falling apart and remaining strong at the core.

San Diego Book Arts Member Show

I am finally posting something on a Wednesday, hurray!! Happy New Year and welcome to another blog post about saving ideas and letting them ferment until they become something interesting. I have tried many, many times to create a book using the pair of pink gloves pictured below. I even had the signatures sewn in at one point, only to remove them and start again. I tried watercolor, cut paper, dried flowers, having paper poke through from one page to another and nothing felt or looked right. Last night I was thinking about the theme for this year's

San Diego Book Arts Member Show

(Cerchez la Femme) and thought of this book again. I think the egg in the center of the cupped hands works as a nod to fertility and the paper butterfly emerging speaks to new life. I am finally happy with the pink glove book. I may refine the look over the next few months, or even add something to the pages, but for now I am just happy to be on the right track with a book that has been sitting in a drawer for years; waiting to be used.

Enjoy!

A New Book Structure, the Cube Book

Today's post is all about a lesson:

never throw anything away

. I made the parts of today's artist's book several years ago after taking a workshop from

Laura Wait

. In the workshop we painted large sheets of textwove paper with paste paints then folded, cut and bound books using the

Drum Leaf binding

, invented by

Tim Ely

. I loved the class and the surprise nature of how images, cut and rearranged, could look different once the final book was assembled. We learned how to write text in several interesting ways and to use this as imagery not words. I took the class to learn the Drum Leaf binding, but really enjoyed the embellishment aspects more.

Fast forward to my painted 24 by 18 sheet of textwove that I decided to cut and fold into a form I learned way back in 2005 from

Karen Thomas

. I have adapted her technique to folding one long strip of paper into a 4 page accordion book. I made the paneled long strip you see below in triplicate and then put it away in my bottom drawer and there it languished until a few weeks ago. I was looking through my origami models to see what I wanted to take to the origami group meeting and I found the painted, folded strips of paper and decided to rework the pieces. I kept one long strip and cut the others into squares, refolded them and inserted them into the available openings. I created a triangular tab to hold it all closed and realized that I could make the book cube shaped by flexing some of the folds. Voila! a new book was created from the cast-offs of an almost forgotten project. So, always keep interesting pieces of paper and paw through them once in a while and see if you can't come up with something new and different to do with them.

I hope you enjoy the results of my paper play.

Here is the book closed and in cube form.

This is what the book looks like open.

Looking straight down into the closed book.

Here is the book showing its parts. The four twist folded inserts at the top and the long paneled strip below. Notice the way the folds look when you make this book from a long strip of paper.

The back of the book showing the paste colors.

Folding directions for one panel of the accordion book.

Crease pattern for the twist insert "pages."

San Diego Origami Group

I went to Solana Beach Library yesterday to a meeting of the

San Diego Origami Group

. I had a wonderful time meeting all the other members who attended. I even met a former

San Diego Book Arts

member and reconnected. If you are interested in origami, learning to fold new models, or just want to meet a nice group of people; I encourage you to check out this group.

Here are some of the models we folded in our two hours together:

John and Kathy showed us how to fold this star.

Marti shared this cute stocking that can hold a mini candy cane.

John taught me how to make this hexagon bowl. Thanks.

I shared the German Bell.