Four Corner Map Fold

I was reviewing my folder of prototypes the other day and came across a structure I created a few months ago and forgot about. I am making some samples for a friend and thought this one would be interesting to share. Instead of just sharing with her I decided to share it with all of you as well.

Below are pictures of the structure being folded as well as the crease pattern for folding it yourself. One piece of advice, fold before making the 8 cuts. It is easier that way.

Enjoy!

Diagonal and linear folds completed.

Collapsed model ready to fold in the corners.

Folding the corners to prepare to inside reverse fold them.

Beginning to collapse the model with all the folds present.

(Outside of model)

Inside of model with all the folds properly creased.

One way of displaying the piece.

 I like the way the four inside corners form the star in the center.

Folding the model closed.

Crease pattern for this structure.

Art Tour of Tacoma

I spent the weekend in rainy, windy Tacoma. My son and I went on the Tacoma Studio Tour and met many wonderful artists. We learned some Sumi painting techniques and made ceramic tiles as well. We met potters and painters, printers and marblers. It was a great way to see the city and meet some of its talented residents. Here are some pictures from the weekend.

Enjoy!

Flying into Seattle Friday, October 14.

Printed at Springtide Press

Sumi Ink painting taught by Lois Yoshida.

Artwork by Fumiko Kimura.

Hand marbled paper by Karen Perrine

Rainbow over Tacoma.

Wooden bone folder by Henry Haneda.

Rainbow over University of Puget Sound

Thoughts on Teaching

I have been a teacher for many years. I was once a science and art teacher at a school for the deaf in Massachusetts. I taught art classes at my kids elementary school and more recently book arts classes in San Diego and Tacoma have been my focus. It is always a learning experience to teach a group of people a new concept. I am looking forward to more of these experiences.

Here are some pictures of my student's hands folding paper in our Road to Spring workshop from Saturday's class at the Art Lounge on 101.  I just love expressive hands folding paper.

Enjoy!

Teaching at Art Lounge on 101

For those of you in the San Diego area, I will be teaching an origami book structure I invented called " The Road to Spring" on September 17 at Art Lounge on 101. Here is the flier for the class and the books that were inspired by this structure.

Enjoy,

Gina

Example made with rectangular sections.

The Road to Spring, my first book made with this structure.

Companion Star, shown with the "pages" removed.

As Deep Can Be closed.

Sample book with flattened points so it can stand up.

Spiral Atlas, variation on the basic structure.

Time and Place

San Diego Book Arts is holding a member show this fall at a traditional art gallery with lots of wall space and not much room for standing works like traditional artist's books. That means they are asking members to come up with "books" that can hang on the walls. I have been trying out various ideas for this show and here is my latest attempt. I call it Time and Place since it represents the fall night sky constellations imposed onto a folded paper structure.

I hope you like the results. I feel like it still needs something more, but here is the work so far.

-Gina

I printed a map of the northern hemisphere's fall constellations onto graph paper.

Next, I scaled up the map using a bigger sheet of graph paper that had the same divisions. Each square on the smaller sheet represents a 3 x 3 square on the larger paper.

I folded the 18 x 24 sheet of paper into a chevron pattern then flattened it, placed the graph paper drawing over it and punched holes using a Japanese screw punch. I used 5 sizes to represent different star magnitudes (from 1mm to 3mm).

Here's a closeup of the paper with the stars punched.

I like the idea of shaping the piece with this bend in the middle to suggest the curvature of space-time.

Tiny Book Necklaces II

In a previous post I showed you several tiny book necklaces that I made last year before attending FOBA (Focus on Book Arts). I recently made a Hedi Kyle inspired one for my class with her and yesterday I got truly nuts and made one based on my latest structure; the Spiral Atlas. They both required some creative folding (using tools when my fingers were too large) and patience. Below are pictures of both and step outs of the spiral atlas.
Enjoy!

-Gina

Hedi Kyle inspired diagonal pocket folder. 

Made from 1 5/8 x 2.5 inch paper. (3/4 x 1/2 inches closed).

Folder open showing diagonal pockets and golden lining.

Spiral Atlas book necklace. 

The largest section is 1 inch and the smallest is 1/2 inch.

When folded they are half that size!

Spiral atlas: I used tracing paper colored with alcohol ink. It measures 1 x 3 3/4 with each section scored and folded in half. Scores are at 1, 7/8, 3/4, 5/8, and 1/2 inch.

Trim off 1/8 inch from each square from left to right, skipping the 1 inch square.

Diagonal fold each square to form an X.

Cut a notch at the fold between squares equal to 1/4 their length at the top and bottom. This makes it possible to fold in the points after the next step.

Collapse each square into a water bomb base along the X folds and center folds. The structure should look like the one below.

Fold in the points on left and right. Unfold and inside reverse fold them to make the shape below.

The book when folded measures less than 2 inches.

Cut squares the same sizes as above (1, 7/8, 3/4, 5/8, and 1/2 inch). Fold them into Hungarian map folds so they nest inside the base structure.

Carefully place inserts in each section and fold down the center points to "lock" them in place. Use a thin scoring tool to help move paper where it needs to go. To form the spiral shape seen in the necklace, glue together the first and last sections by forming a circle. I attached a wire hook using glue, put on a jump ring and threaded a chain through it.

As Deep Can Be

Last week I shared a new variation on my accordion book; The Road to Spring. Since then I have been working on an artist's book based on the variation. I used beautiful marbled paper from Crepaldi of Brazil and some sea green handmade paper from a local art store. I wanted some kind of subtle visual content so I carved rubber erasers into segments of a river. They can be turned and combined in a number of ways. I stamped them with VersaMark ink which is clear but leaves a watermark effect. To make the lines stand out a bit more, I used a white gel pen to highlight them. Below are pictures of the finished book.

San Diego Book Arts is holding their annual member show this fall at the James Allen Rose Gallery at Francis Parker School. Since the gallery space is set up for wall display,  we were asked to come up with book structures that can hang on the wall. I think this new book will do nicely.

Enjoy.

-Gina

Carved erasers and their stamped images.

As Deep Can Be by Gina Pisello 2016

Closeup showing stamped and inked lines.

Closed book.

Open in a spiral.

Artist Books in England

I am a member of two book arts organizations: San Diego Book Arts (SDBA) and Puget Sound Book Arts (PSBA). They are both very supportive groups that offer different experiences for their members. PSBA, in collaboration with the Centre for Fine Print Research at the University of the West of England, in Bristol is holding an exhibit of PSBA artist's books this summer. I was honored to be asked to contribute to the show. You can see my books below and examples of all the other wonderful books here.

Enjoy.

-Gina

Small Migrations (2015)

Haikube (2015) -open

Haikube -closed

Spiral Atlases: playing with The Road to Spring book structure

I like to play with paper. I also like to invent new structures and then stretch, shrink, or change their folding patterns. Below are pictures showing two variations of my book

The Road to Spring

. The squares that form the base of the structure changed size from 4 inches down to 2 inches instead of staying the same size in the original version. I made a prototype on Wednesday with the squares centered and decreasing by 1/2 inch (see diagram 1). This made a very interesting model and got me thinking about other ways to have a graduated structure (see diagram 2). I hope you like the surprising results as much as I do. Here are my newest creations: Spiral Atlases (thanks Mom for the name).

Enjoy,

-Gina

Diagram of first variation.

Diagram of second variation.

Spiral Atlas #2 showing crease pattern. 

Note the notches cut where the squares meet.

#2 with creases collapsed.

#2 Side view.

Spiral Atlas #2 folded into Turkish map folds in each section.

#1 and #2 with finished Turkish map folded sections.

#1 with Hungarian map fold inserts. 

I used tracing paper hoping the marbling would still show.

#2 with gelatin printed paper inserts.

Spiral Atlas #2 finished.

Spiral Atlas #1 finished.

Oxford Blues: A Cut Paper Project

I have just finished a six week class with Bhavna Mehta called Cuts and Links. There are more ways to cut paper than I realized when I started. Bhavna challenged us to make a final project using the techniques we learned in the class. Here is mine. It is based on a map of Oxford England from 1758. I used elephant hide paper which cuts beautifully and folds well even when most of the paper is removed.
Enjoy.

-Gina

Oxford Blues, four views

Cut Paper Tiles

I am spending six Saturdays taking a paper cutting class with artist Bhavna Mehta. Last week we worked on cutting layers of colored paper to make tiles. We are also learning about negative and positive space as well as other paper cutting traditions like silhouettes. I am really enjoying stretching my experience and learning from a true paper master.

Enjoy.

-Gina

Silhouettes from week 2 class.

Template for my tile.

White layer is cut and grey layer is taped underneath.

White and grey are cut and black is taped under ready to be cut.

Finished tile with the cut black layer and a bottom white layer.

I saved the positive shapes when I was cutting the tile and glued them together to make this tile.

Crossroads

I have been playing around with the twist fold for a few days and came up with this paper sculpture in the process. I call it Crossroads. I hope you like it.

-Gina

Basic twist fold from square paper.

2 strips of vintage Japanese ledger paper are folded.

Stencils made from Japanese and western paper.

Crossroads

Artist's Book Mantra

I want to share my method for creating a new artist's book. I don't always do it this way, but often I do and maybe you do too...

Idea: What if I make a book using the twist fold, but connect four of them together on a single concertina folded sheet of paper?

Inspiration: For content, I remember Hedi Kyle showing us her insect stencils last weekend. I was expecting them to be clear plastic stencils with bugs cut out. On the contrary, they were pieces of blue paper that bugs had eaten into forming irregular and shifting shapes. I have some old Japanese books here in the studio that are riddled with insect trails. I grabbed one and used four

consecutive pages. The stencils change over the pages in interesting and random ways.

Mantra: Keep it simple!

Materials: Choosing materials usually comes down to what I have handy in the studio and today I chose a piece of hand made abaca paper (from Helen Hiebert) and some tracing paper that I colored with alcohol inks a while ago. I used soft wax crayons (by Tim Holtz) on the stencils and here are the results.

Enjoy,

Gina

Pages from old Japanese book with the insect trails I used in this piece.

Inked and stenciled pages before insertion. 

Note how the insect tracks change over the four pages.

Abaca paper with creases.

Starting to fold up the paper.

Twist folds complete.

Folds flattened.

Pages inserted.

Book backlit.

Hedi Kyle Workshop at SF Center for the Book

I spent a magical weekend in San Francisco at the Center for the Book making folded structures with Hedi Kyle, 15 students and 4 SFCB instructors who were Hedi's assistants. We created a dozen or so structures and added content to several. Hedi was engaging and patient; pacing the class so that everyone could successfully make each book, folder or flexagon. Here are some pictures of my pieces.

Enjoy,

Gina

Stenciled Flexagon

Belt fold around slat book and other books beneath.

Pink book was passed around class and everyone decorated a page.

Fishbone fold inside diagonal pocket folder. Blue book is a needle book. 

Sling Fold book open, with stenciled ovals and text.

Lots of letter folds and the needle case on the left.

Teaching in Tacoma

I was privileged to teach The Road to Spring to nine Puget Sound Book Artists last weekend in Tacoma, WA. We spent 3 hours together creating folded map books from Strathmore charcoal paper. I really enjoyed sharing this structure I invented from the Turkish map fold and the Hungarian map fold. Pictured below are the participants (with the exception of MalPina) and their work.

Enjoy,

Gina

Deb, Don, Kathy and Mary

Carole, Michelle, Lynn and Kathy

Playing with Paper/A Valentine's Day Treat

In 2008 I took a workshop that changed my life and my approach to making artist's books. It was taught by

Joan Michaels Paque

and she was a paper engineer and weaver extraordinaire. After the class I was playing around with folding paper and created a small book with the crease pattern you see below. The book was put into a drawer for years until last week when I decided to clean out my cluttered office and found it again. I always thought of this folded structure as a book and only looked at it linearly, but now I make structures that fold around in a circle. When I twisted this one into a circle it created a structure that is flexible and interesting in many orientations.

I have been thinking about ways to modify this structure and came up with two variations. One is inspired by Valentine's Day and the other is the answer to the question: What happens if I make a smaller version and nest it inside the bigger one? I hope you like the results and try folding one yourself.

Enjoy.

-Gina

Crease Pattern

Stages of folding the structure.

Two orientations of the round structure. There are more below.

I cut out hearts from paper folded into the water bomb base.

Variation 1: Insert hearts cut from 4 x 4 inch paper into the slots to make a unique Valentine.

Variation 2: Fold a second structure from 3 x 18 inch paper and nest it inside the 4 x 24 structure.

Three ways to twist the structure.

Sometimes I'm Jagged on the Inside

I have a new accordion folded sculpture to share with you today. A few days ago I was wondering what the

Turkish Map Fold

would look like if I used rectangular paper instead of square paper to fold it. Then I got to thinking about the fold for the insert I used in

The Road to Spring

 and

Companion Star

. Could it also be folded with rectangular paper? The answer is yes, and it makes a very interesting asymmetrical shape. Next I wondered if there was a way to fold this new shape from an accordion folded sheet of paper so that the parts would be connected to each other. This was tricky and took some fiddling, but in the end I was able to create the sculpture you see below. Later in the day a name came to me and it is the title of this blog post.

Here are some pictures showing the folding process. Enjoy!

-Gina

Finished piece.

Single folded unit.

I taped together several single units to figure out where I needed to cut the accordion and make a continuous folded sculpture.

Step 1: accordion fold then fold diagonals. Then cut the paper as shown.

Step 2: Collapse the paper along the diagonals.

Step 3: Fold in the triangle sides. Notice how one side has a small triangle and the other side is larger, but they don't overlap. This creates the asymmetrical look.

Step 4: All the triangle sides are creased. Now just inside reverse fold all of them to create the final shape.

'Tis the Season

I try to make holiday cards each year for friends and family, but I must be a dying breed as I seem to get fewer and fewer cards each year. I thought I would share some pictures of past cards and this year's as well. Enjoy.

-Gina

2008 Star Book Ornament/Card.

Cards from 2011-2014.

A selection of this year's cards. 

CAP Book

It's December and I have been so busy that this is the first time I am sitting down to blog in a month. I have been a member of San Diego Book Arts for 14 years and next year is our 20th anniversary as an art organization. To commemorate this achievement a group of 40 members got together several times this year to create a collaborative art project (CAP). Each person created a piece based on member Diane Gage's moon haiku. The art was photographed and reproduced on 9 x 12 paper to be bound into books for an exhibit celebrating the anniversary. I did not create an art work for the book, but was asked to bind a book as a fundraiser for the project. Below are images of my book in progress. I based the structure on Elizabeth Steiner's Moeraki Boulders, which is bound through the middle of the pages. I created binding strips from a second set of prints of the book so that there is interplay between the works and their companions. I hope you like the results as much as I do.

Enjoy.
-Gina

Pages with slits cut for the binding strips.

Sample binding strip.

Paper in Japan Part 2

Last week I shared my paper adventures in Kyoto. This week I want to introduce you to Tokyo's Origami Kaikan (Origami Center) which is a six floor building dedicated to all things origami. After perusing the lobby showroom of classes offered, I climbed the stairs to the second floor gallery where there was a wonderful display of armored cavalrymen. Then it was up to the third floor to soak up all of the papers. There were packaged origami squares in all colors and sizes as well as racks and flat files of large sheets of chiyogami paper. I spent quite a bit of time looking through them and only seeing one or two that I can get here in the States. As I was paying for my purchases the clerk informed me that the director, Kazuo Kobayashi would be down to do some demonstrations soon and would I like to stay. Of course I stayed and was entertained (despite not knowing any Japanese) for the better part of an hour while Sensei Kobayashi folded and cut many samples for the Year of the Monkey. He was a revelation to me as he didn't fold anything precisely nor did he look at what he was folding often. It was astonishing to see him create such beautiful results in such an imprecise manner. He kindly gave me the rose and leaf pictured below which took him about a minute to make, all the while chatting to the gathered crowd.

I eventually tore myself away from the demonstration and wandered up to the fourth floor where you can watch them paint paper and hang it to dry. The fifth and sixth floors are reserved for classes and as I wasn't signed up for any I skipped them. I left full of ideas and a renewed passion for origami.

I hope you enjoy the images below from this lovely paper destination in Tokyo.

-Gina

First floor display.

Displays on the way up to the gallery. The above "plant" is made entirely of folded cranes.

Calvary of folded paper in the second floor gallery.

Men dying paper mustard yellow and red on the fourth floor.

Monkey fold the Master taught us.

Rose and leaf Sensei Kobayashi gave me.